David Garrett David Garrett: World-class rock violinist performs live in San Diego via photopin (cc)

I thought you might enjoy the following two videos of David Garrett, performing Paganini Caprice No. 24 and his arrangement of Beethoven The 5th.

I did a post on the gifted and amazing violinist in January 2014 titled "Classical Crossover: The Rock Symphonies of David Garrett."

Gehry's Santa Monica House Gehry House, II via photopin (cc)

I found out about Frank Gehry in the early 1980s.  A friend showed me his house. On a sunny Saturday afternoon in California, we drove to Santa Monica with the top down.

When we arrived at our destination, my friend slowed the car down to a snail's pace so we wouldn't miss one second of the house.  As we drove by in slo-mo, we leaned forward and stared at every inch of it.  We turned around and did the same thing.  Two more times.

I was astounded at what I saw and unsure of how I felt.  The house was radically different.

In the late 1970s, the Gehrys bought a small bungalow that was built around 1920. They remodeled it to expand the kitchen-dining area and put in skylights to bring natural light into the space.

It was the way in which Gehry did the remodeling that caused a big stir.  The nonconformist architect made a bold departure from traditional residential design, and used raw industrial materials such as corrugated sheet metal, unpainted plywood, and chain-link.

Cubist Window Gehry House, III via photopin (cc)

Gehry built a new house around the old house and used nontraditional materials that weren't aesthetically pleasing.  He utilized corrugated sheet metal for the facade and sides of the house, installed angled windows a la Cubist style, and placed a chain-link fence on the second floor of a later remodeling.

The materials and the Cubistic influence produced a radical and unconventional look.  Criticism and controversy ensued with his neighbors and other people.

For Gehry it wasn't about aesthetics.  It was about bringing nontraditional materials together and utilizing them in a precise manner.  It was about creating a new approach to residential design.

Because the house was Gehry's personal residence, we weren't able to see the inside.  According to books and research, the interior also went through a transformation.

Although Gehry retained most of the original house, he gutted the interior.  In some places he stripped the walls down to wood studs and joists.  Furthermore, he exposed electrical wiring, light bulbs, and the asphalt floor.

Certain elements from the old house were kept and incorporated into the new design.  One of those elements was the old doors.  They can be seen alongside the new doors, creating a mixture of the old and the new.

Chain-link Fence Gehry House, IV via photopin (cc)

The Gehrys did more remodeling, adding a second floor for their boys.  They also put in the chain-link fence on the upstairs deck, a lap pool, and converted the garage into a guest house.  The look of the house, inside and out, changed again.

About thirty-four years later, Architect Frank Gehry received the 2012 AIA Twenty-five Year Award for original design of his Santa Monica house and for establishing a new residential design language.

That's not all.  Gehry built a new house and this one is huge and shiny.  But that's for another post.



Works Cited:

Friedman, Mildred.  Frank Gehry: The House.  New York: Rizzoli International 
    Publications, Inc., 2009.

Hoyt, Alex.  "The Tijuana Sausage Factory."  17 May 2012.  Architect.  3 Feb. 
    2015 <http://www.architecturemagazine.com/architects/the-tijuana-
    sausage-factory.aspx>.

Morticde, Zach.  "Gehry Residence." The American Institute of Architects. 28 
    Jan. 2015 <http://www.aia.org/practicing/awards/2012/twenty-five-year-
    award/>.

Perez, Adelyn.  "Gehry Residence."  Arch Daily.  28 Jan. 2015 
    http://www.archdaily.com/67321/gehry-residence-frank-gehry/>.

The Homeless Woman and Her Mysterious Baby


There's a homeless woman who occasionally hangs out in a shopping center. She pushes a shopping cart with one hand, and clutches her "baby" swaddled in a blanket with the other.

Tonight she's dressed in a lightweight sweater, a skirt, and flip flops--oblivious to the 60 degree weather.

She circles the parking lot, calm and content.  She doesn't say a word.  Stroking the baby constantly and gently, she holds the baby close to her heart.  Every now and then, she stops the cart and lifts the blanket slightly to gaze at her bundle of joy.  This goes on for hours.

Most people are afraid of her; others are used to her presence.

Sometimes she rummages through the cart and pulls out a coin purse.  Still clutching her baby with one hand, she parks the cart near the door of a fast food restaurant and goes in.  She usually comes out within minutes without the food.

I've seen her several times, at nighttime and daytime.  During the daytime, she's not clutching her baby and seems more coherent.

She's an unusual homeless woman with mental illness on the streets.  She's extremely calm for someone with a disorder.

Even when the police came to escort her out of one of the fast food restaurants, she remained calm and unaffected.

I can only speculate on why she has a "baby."  When she interacts with the baby, there's a display of motherly love.  The feeling is so intense that it's sad and disconcerting.  Perhaps something traumatic or tragic happened in the past involving a baby.  Another reason could be that she just needs someone to love and hold for comfort.  It must be frightening to be a homeless woman on foot. Nighttime can be a terrifying time.

I did find out what was inside the blanket.  It was a popular stuffed animal.




Note: I gave a little more information than I normally do.  I felt it was necessary for the overall picture.  But please know that every effort was made to protect the identity of the homeless person above.

Edvard Munch, The Scream, 1895 oddsock via photopin cc

You see them on the streets.  You hear them talking incessantly to themselves
or shouting obscenities.  You wonder why they don't get treatment, and where are their families?

According to the US Department of Housing and Urban Development and The Annual Homeless Assessment Report submitted to Congress, there are approximately 610,000 homeless people in America.  An estimated 124,000 of that population suffer from some type of mental illness.

California--the focus of this post--is at the top of that list, with an astonishing homeless population of about 136,800 people.

Another report prepared by a nonprofit named OC Partnership using the 2013 Point-in-Time Assessment, gives a breakdown of the area I'm most familiar with called Orange County.

In Orange County, there are 12,700 homeless people.  Out of that number, an estimated 22 percent have severe mental illnesses.  More than three-quarters of them are unsheltered.

Before you can understand why many people with mental disorders are homeless, it's important to know basic information about the illnesses and the problems of this special group.

The Definition of Mental Illness

The Brain Ars Electronica via photopin cc

The National Alliance on Mental Illness explains that mental illness is a medical condition that disrupts a person's thinking, feeling, mood, ability to relate to others, and daily functions.

Although the exact cause of the condition is unknown, research informs us that the disorder may be linked to a combination of biological, psychological, and environmental factors.

Possible Causes

Some of the possible causes that may contribute to mental illnesses are as follows:

Neurotransmitters Birth Into Being via photopin cc

Biological Factors

• Neurotransmitters - Billions of nerve cells in the brain communicate to each other. They send information to the brain and the body through chemicals called neurotransmitters. When these chemicals malfunction or are off balance, they significantly alter mood and behavior.
• Genetics - Experts believe mental illness tends to run in families. Abnormal genes can be inherited from biological blood relatives and increase the risk of developing the same conditions.  Norwegian artist Edvard Munch, who painted The Scream which appears at the beginning of this post, had mental illness and so did his sister.
• Prenatal Damage - Some evidence shows that disruption of early fetal brain development, or trauma at the time of birth (such as loss of oxygen to the brain) may cause certain mental conditions.

Psychological Factors

Image Credit: Jeremy Brooks via photopin cc

For those of you who live in Orange County, CA, or for those of you who want to see what a ten-year plan to end homelessness looks like, here is the link:

www.ocpartnership.net/images/website/1064/files/final_ten-year_plan_2012_445.pdf

Helen Cameron of Jamboree Housing gave me this link.  She was part of a group who wrote the plan.

Terracotta Warriors in Pits Image Courtesy of Alan J. Stone

Pit 1 - The Infantry

Terracotta Kneeling Archer Image Courtesy of Alan J. Stone

Pit 1, accidentally discovered by the workers in 1974, is the largest of the pits.  Rectangular in shape, it measures approximately 150,000 square feet, or almost the size of three football fields. This section has the majority of the army--the infantry--containing bowmen and crossbowmen.

In battle formation, rows of unarmored standing archers holding crossbows make up the front line.  Behind them are armored kneeling archers. Between the armored archers are war chariots with horses.

Author and Archaeologist Yuan Zhongyi informs us that one line of warriors firing, together with another line kneeling to reload, create a fast moving vanguard and a steady stream of potent fire.

Pit 2 - The Calvary

Archaeologists discovered Pit 2 in 1976 slightly north of Pit 1.  It is L-shaped and half the size of the first pit.  This section is the calvary comprised of largely archers carrying crossbows.  Saddled horses with riders carrying bows and melee weapons are also a part of this group.

As in Pit 1, the unarmored warriors in the front rows are standing; the warriors behind them are kneeling.

The main force of this section is composed of eighty war chariots whose purpose is to overwhelm the enemy.  Almost all of the chariots have two warriors and a charioteer--except for six chariots that each have a warrior, a charioteer, and an officer.

Pit 3 - The Command Post

Pit 3, located east of Pit 2, was also discovered by archaeologists in 1976.

War Chariot With Horses Image Credit: JULIAN MASON via photopin cc

Smaller than the other two and U-shaped, it is the command post.  Inside this section are sixty-eight warriors, some of which stand in a face-to-face formation near high-ranking officers as if to protect them.  There are also nine armored generals and a grand chariot with horses. Researchers believe that the grand chariot may have been for the commander of the army.

Terracotta General Image Credit: PeterThoeny via photopin cc

The generals of this group wear bright colored scarves, tassels tied to their armors, different headgear, and complex hairstyles. They carry no weapons, ride in chariots, and beat out signal codes on large drums to the warriors.








The Mausoleum and the Burial Chamber

First Emperor Qin Shi Huangdi Image Credit: Erin Van V via photopin cc